如果你正在犹豫要不要看，我可以告诉你：这部1925年的默片《红发》值得你静下心来感受。这部电影适合愿意沉下心来感受的人——不靠台词煽情，而是让你在一帧帧静止般的画面里，自己把那些没说出口的委屈一点点捡起来。或者单纯想看看一百年前的人怎么拍“熊孩子被偏心妈欺负”的故事，也能看得津津有味。剧情围绕红发少年与家庭枷锁的拉扯展开，没有生硬的善恶对立，而是用日常的冷暴力铺出令人窒息的心理战场。
适合那些看腻了默片“浮夸表演”的观众——如果你喜欢《圣女贞德蒙难记》的凝视感，或想体会早期电影如何用静默代替台词，这部片子会让你重新认识默片的可能性。
这片子适合那种不喜欢吵闹、能沉下心看人物表情的观众。
Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。 Summary Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear... Review Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte. The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
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