爱森斯坦与亚历山德罗夫在《总路线》里玩起了先锋派的极致实验，镜头不再是单纯讲故事，而是通过变形构图和蒙太奇，把集体农庄的丰收拍出了令人窒息的视觉压迫感。 片中演员的表演充满了象征意味，尤其是那著名的“行进的胖农”段落，让人在捧腹之余深感荒谬与沉重。如果你厌倦了传统的煽情，渴望体验一场集现实主义、政治隐喻与心理分析于一体的视觉盛宴，这部片子绝对是值得静下心来细细品味的绝佳佳作。虽然演员多为非专业素人，但他们那原始、真实的表演反而赋予了角色一种沉重的泥土质感。冯·祖克尔精彩的形体表演，让那个身体变形的悲剧人物令人不寒而栗。如果你对先锋实验电影、结构主义美学感兴趣，或者想挑战一下如何在大银幕上“看”懂一部情节错综复杂的戏中戏，这部1929年的冷峻杰作绝对不容错过。

Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

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