故事是这样的：一个老裁缝在阁楼翻出一件旧大衣，上面少了三颗纽扣。适合那种不急着追情节、能咂摸出生活小暖意的观众。整部电影不追求高潮，只关心细碎动作里的重量。剧情真正的“纽扣”并非悬疑设计，而是那些被遗忘的动作——Jacky轻轻拂去大衣灰尘的手势，Patin反复解开又扣上纽扣的强迫性重复——它们如暗针般串联起记忆与遗忘的主题。 ☁。如果你喜欢那种不急不躁、愿意陪角色慢慢整理情绪的电影，或者你曾经被瓦尔达在《拾穗者》里那种对微小事物的关注打动过，那这部作品会很对胃口。

Appropriately, her own 14th arrondissement (specifically Rue Daguerre) is a source of pleasure for the protagonist (Jasmine Thiré) and viewer, having been photographed carefully, beautifully, and lovingly. The first word that this all brought to mind way “playful,” and I’m pleased that my simple descriptor is something Varda would consider appropriate. Says her, “It’s playing a game with reality. The game is called cinema.”

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