哎，我跟你说，《死亡修女》这片子真有点东西！导演帕科·普拉萨明显没走那种一惊一乍的廉价吓人路线，而是慢慢用修道院的阴冷氛围把你裹住——走廊里忽明忽暗的烛光、修女们压抑的呼吸声，配乐一响我鸡皮疙瘩就起来了。剧情没有多余的爱情线或突然的喜剧调剂，老老实实地围绕“修道院里的秘密”层层剥开，结尾的反转克制且残忍。 演员们演得特别真，尤其是阿瑞亚·贝得玛，她那种从怀疑到崩溃的转变，眼皮跳一下你都能跟着揪心。如果你喜欢《圣餐》那种慢热且注重氛围的西班牙宗教恐怖，或者想看点不用遮眼睛也能感到后怕的东西，这部正好。几个女演员演得特别实在，尤其是阿瑞亚·贝得玛演的那个新来的修女，她那种从好奇慢慢变成恐惧的眼神变化，看得我后背发凉。导演帕科·普拉萨延续了《死亡录像》里对密闭空间的把控，但这次更侧重心理压迫——故事里有好几段长达数分钟的无对白场景，全靠修女们细微的呼吸和眼神交流来推动。

　　The film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.

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