这部诞生于1924年的先锋之作，摒弃了传统戏剧化的对话，完全依靠蒙太奇剪辑推动剧情，堪称“视觉听觉同步”的教科书级体验。这部超现实的默片片长虽短，但情绪张力拉满，非常适合喜欢先锋艺术、探索电影实验性，或者单纯想通过视觉奇观放松身心的观众。演员几乎都是非职业群演，演技朴实有力，剧情亮点在于通过极具生活气息的群像，展现了人们在洪水中挣扎求生时的坚韧。路易·德吕克彻底抛弃了传统的戏剧动作，转而用超写实主义的手法，通过慢镜头和自然光，精准捕捉了洪水来临时平民真实的恐慌与生活细节。如果你厌倦了嘈杂的商业大片，痴迷于早期电影那种纯粹、充满胶片颗粒感的美学艺术，这部作品绝对值得你静下心来细细品味。影片抛弃了旁白，采用“蓝色片”胶片，将色彩简化为黑、白、蓝，用视觉隐喻将灾难具象化，充满了象征主义的先锋气息。

　　Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema  journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.

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