这部影片完全打破了常规剧情片的结构，以一种近乎仪式感的“重复劳动”展开叙事，由旁白朗读原著情节，画面则用高超的蒙太奇将原著进行拆解重组，形成了一种冷峻而独特的诗意。他大量运用实景与历史档案，剥离了浪漫滤镜，赤裸地呈现了政治运动的复杂图景。演员们长时间地在单调的布景中反复诵读关于社会主义本质的论证，甚至利用死板的长镜头来表现历史的重压。这不是一部好莱坞式的政治剧，而是一场关于记忆与历史的精密解剖，唯有影片开篇那句经典的“我不信”奠定了其荒诞而深刻的基调。这不仅仅是一部电影，更是一次对理论与历史关系的冷酷解剖。 这不仅是一部电影，更是一次严峻的思想挑战。

81-year-old master, Jean-Marie Straub, once again invents and surprises with his latest film. Kommunisten consists of six parts, five of which have been taken from his earlier works. Straub does not aim to be self-reverential, but instead wants to make different blocks (of text, time, and languages) clash so as to highlight invisible elements of feelings and politics. It is a film about human adventure, from the past century to the one ahead. In this project, all the things that the films of Jean-Marie Straub and Danièle Huillet have been based on for the past fifty years, find their most raw and recent form.