嘿，我跟你说，这部1924年的《基恩》真挺有意思的。导演没搞花哨特效，就老老实实拍人物、拍情绪，可感染力一点不差。女主角Lissenko回望他的那一眼，眼睛里全是小心翼翼的试探，让人跟着心酸。如果你喜欢琢磨人物内心深处那点说不清的挣扎，或者对默片时代细腻的表演着迷，这部片子会像一根细针，轻轻扎进你心里。如果你曾为某个角色整夜失眠，或者对“人前微笑人后落寞”有共鸣，这部默片能让你在安静的放映室里，听到自己心跳加速的声音。适合对默片形式实验感兴趣、或想观摩早期演员如何用身体叙事的影迷。

　　By 1820, Edmund Kean is the most admired Shakespearan actor. But if his art is peerless, his free lifestyle is ill thought of, particularly by the high society. Kean has fallen passionately in love with Countess Elena de Koefeld, the wife of the ambassador of Denmark. Elena loves him too but hesitates to give up her rank in society and follow Kean. On the other hand, Anna, a rich heiress who refuses to marry Lord Mewill, the husband chosen by her parents, confesses her love for Kean and decides to become an actress like him... The aristocrats, outraged by Edmund's profligate ways, decide to boycott his performances and his career is broken. Kean does not recover from such a blow and, on a stormy night, dies in Elena's arms.

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