1932年的《大众情人》与同期那些靠快节奏对白和滑稽摔跤撑场面的神经喜剧不同，它把笑点藏在人物身份的错位里——凯·弗朗西斯饰演的女主角不是傻白甜，而是一个用优雅装潢精明的主妇，她与大卫·曼纳斯扮演的穷画家之间，真正吸引人的不是他多有趣，而是她如何不动声色地把他从窘境里捞出来。记得泡杯茶，边看边笑，特别解压。这片子特别适合周末窝沙发里配零食看，或者你也喜欢《一夜风流》那种老派浪漫喜剧的话，肯定能get到它的妙处。适合喜欢经典好莱坞神经喜剧前驱、并对早期电影空间叙事感兴趣的影迷，尤其值得留意迪亚特尔如何在单一舞会场景内用光影分割出权力与欲望的暗流。适合周末想不出门、泡杯茶慢慢消磨两小时的观众，尤其是喜欢《一夜风流》那种轻巧浪漫的人——它没那么深刻，但正好能让你笑着叹气。 6️⃣6️⃣6️⃣。

　　Lois Ames is devoted to her job as the editor of a magazine, and her wealthy husband Fred is equally dedicated to polo and parties. Lois's long hours drive her secretary to quit, and she replaces her with Tom Sheridan, who happens to be in the office demonstrating a rowing machine. Tom likes the work and continues to advance until he is indispensable to Lois. Ruth Holman, Tom's fiancée, is jealous of Tom's relationship with Lois and with some reason, as he is falling in love with her. In the meantime, Fred is having an affair with Ann Le Maire, a woman whose interests are closer to his own. Because he feels his love for Lois is hopeless, Tom quits his job and plans his marriage to Ruth. Lois tries to patch things up with Fred, but he suggests that they divorce instead. On Tom's last night, Lois keeps him working late. Ruth is furious and storms up to the office where Lois and Tom are dining. She threatens to tell Lois's husband about their relationship, which leaves the way clear for Lois to announce her pending divorce. Ruth breaks off her engagement to Tom, and he immediately asks Lois to marry him.

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