《往事决堤》没有走同类家庭悬疑片那种依赖反转或惊悚的捷径，而是用潮水般缓慢涌来的日常细节堆积压迫感。珍娜·科尔曼演的那个角色，脸上总是挂着“没事”的表情，可你光看她抖手指头就知道她在硬撑。汤姆·格林-卡尼跟她对戏，张力拉满，有场两人隔着门说话的戏，简直能听见呼吸声。剧情没有绝对善恶，更像《奥丽芙·基特里奇》那种沉静中藏惊雷的气质。适合喜欢在细碎对话和沉默间隙里找线索的观众，尤其对家庭创伤题材有耐心的影迷。珍娜·科尔曼演的女主角，表面镇定到让人着急，但有一场她对着镜子深呼吸的戏，手抖得连水杯都端不稳——就那一下，全懂了。

　　In the four-part series, a fire tears through a holiday home in a scenic Lancashire lake town. Detective Ember Manning must work out how it connects to a podcast journalist investigating a missing persons cold case and an illicit ‘love’ triangle between a man in his twenties and two underage girls.
　　But as Ember gets close to the truth, it threatens to destroy her life – forcing her to reevaluate everything she thought she knew about her past, present and the town she’s always called home.
　　As much a coming-of-age story as a detective thriller, The Jetty asks big questions about sexual morality, identity and memory, in the places that Me Too has left behind.

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