如果你正在犹豫要不要看，我可以告诉你：**值得花90分钟沉浸进去**。Zofia Marcinkowska的表演几乎不用台词，靠肩膀的微斜和手指的颤抖传递出“无法被呼唤”的孤独。女主角Zofia Marcinkowska的表演全靠眼神和微颤的嘴角撑起全片，她扮演的年轻女子在战后小镇谋生，一边拒绝现实中的平庸男人，一边等待永远不响的电话。Zofia Marcinkowska的眼角和手指都在微微颤抖——她不需要台词，光是坐着擦桌子就能让人看出绝望的厚度。这部电影不追求跌宕剧情，更像是用显微镜观察人性深处的回声。没有大起大落的戏剧冲突，却让每个镜头都像一根刺，轻轻扎进你心里。

50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。　　In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.

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