如果你想找那种节奏飞快、笑料密集的喜剧，这绝对是必看佳作。迈克尔·凯恩演起这种滑头老爸简直不要太丝滑，那种既坑儿子又想尽办法解决问题的蠢萌劲儿特逗。剧情既有抢着给孩子喂饭的爆笑名场面，也有战火中亲情羁绊的细腻温情。金·哈克曼演得太妙了，一人分饰两角，从暴躁的反派到卑微的替代者，那种神经质的反差令人捧腹又心惊。迈克尔·凯恩一人分饰两角，把一个神经质男人的癫狂与狡黠演绎得入木三分。苏珊·萨兰登贡献了堪称教科书级的表演，将一个神经质又充满魅力的角色演绎得入木三分。

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment

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